Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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William Buelow Gould
Still life, flowers in a blue jug oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould (1801 - 1853).

ID: 77890

William Buelow Gould Still life, flowers in a blue jug oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould (1801 - 1853).
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William Buelow Gould Still life, flowers in a blue jug oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould (1801 - 1853).


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William Buelow Gould

Botanical artist and Natural history artist Australian, 1801-1853  Related Paintings of William Buelow Gould :. | Flowers and Fruit | Flowrs and Fruit | Still life, flowers in a blue jug oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould (1801 - 1853). | Sailing ships off a rocky coast | Still life, fruit oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould |
Related Artists:
SACCHI, Andrea
Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,
Jacopo Bassano
Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
Prellwitz, Edith Mitchell
American, 1865-1944






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